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Welcome to Careless Notions

For years I've found myself writing little mini-essays dealing with various subjects, either as part of an e-mail chain between friends, or in the occasional comment form on sites scattered about the net. I've finally decided to consolidate all of that writing here at Careless Notions. As the name implies, a lot of these posts are likely to be half-baked and not entirely thought out, but hopefully some kernel of truth will always rest at their center.

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Something To Remember / Evita

Don't have much to say about either Madonna project from this era - her ballads collection Something To Remember  or Evita  - other than it was clear Madge was doubling down on the slow, classy, pretty ballads in the wake of the monster success of "Take A Bow".  Commercially I suppose this made sense, up to a point.   But Madonna was never just about ballads, and the disturbing run of them began to make it sound like she'd been taken over by a pod person.  From the planet B'oring. It was nice to get single hits like "This Used To Be My Playground" and "I'll Remember" collected in one place, since they hadn’t appeared on a proper Madonna album before.  When coupled with tasteful , ballady album hits like "Rain", the collection helped to demonstrate that Madonna could, in fact, do justice to ballads (and write 'em, too).   Hello, Mr. Evita Producers! Here's my audition tape! It's sure breezy where love d...

Erotica

Out of all of Madge's albums,  Erotica  is probably most deserving of an extensive writeup, especially given that it's now passed its 25th anniversary (seems hard to believe).  It’s deserving of attention not just because musically it was quite a departure for Madonna, but also because culturally this is probably when she was the most relevant, and when she became the most controversial.  In fact I can’t think of any celebrity operating at this level of prominence who deliberately chose to become this controversial.  Madonna was bold or crazy depending upon your point of view, but certainly not your typical paycheck cashing celeb. You do still hear hints of the old Madonna on this record, thanks to producer Stephen Bray's involvement most likely, but for the most part this record is Madonna using the success of The Immaculate Collection ’s "Justify My Love" as an escape hatch out of the '80s and into the '90s. Part of a multimedia assault on ...

True Blue

Another iconic cover - her second. This was the first Madonna album I bought, on CD, a good while after it came out but - if memory serves - before You Can Dance was released. "Live To Tell" sold me on the album, and I still think it's one of the finest singles of the '80s - Kate Bush caliber stuff. The video is dynamite too, especially for one of those "film clip" videos of the era. She gives a better performance here than in most if not all of her movies, somewhat dressed down as a housewife, rendering the song (by turns heart wrenching and ominous) even more effective.  As the lead single for True Blue in the late spring of ‘86 it was something of a mindblower - this was not what we’d come to expect from Madonna - and the moody ballad shockingly made it all the way to #1.  I was not a big fan of ballads, and at first I wasn’t sure what to make of it, but I quickly grew to love “Live To Tell” and it ultimately forced me to completely reappraise ...