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Something To Remember / Evita

Don't have much to say about either Madonna project from this era - her ballads collection Something To Remember  or Evita  - other than it was clear Madge was doubling down on the slow, classy, pretty ballads in the wake of the monster success of "Take A Bow".  Commercially I suppose this made sense, up to a point.   But Madonna was never just about ballads, and the disturbing run of them began to make it sound like she'd been taken over by a pod person.  From the planet B'oring. It was nice to get single hits like "This Used To Be My Playground" and "I'll Remember" collected in one place, since they hadn’t appeared on a proper Madonna album before.  When coupled with tasteful , ballady album hits like "Rain", the collection helped to demonstrate that Madonna could, in fact, do justice to ballads (and write 'em, too).   Hello, Mr. Evita Producers! Here's my audition tape! It's sure breezy where love d...

Like A Virgin

And an icon is born . . . all because her shoe flew off.  Kicking off the album with a one-two drum punch from drummer Tony Thompson, “Material Girl” is as shrink wrapped as pop ever got.  Like A Virgin isn't exactly what I'd expect from a Madonna-fronted Chic album, although that's pretty much what it is. Instead of those glorious sweeping strings and long grooves we associated with Chic, Like A Virgin is all sinuous synthesizers and taut basslines. Tony Thompson absolutely slams those drums like a machine - reportedly his drumming was so forceful it destroyed a couple of microphones.  The synth work is also pretty good and sounds fantastic, even the sampled stuff, probably because they used a Synclavier instead of a Fairlight. The Fairlight has a distinctive sound and certainly is a big part of the sound of the '80s (think “Everybody Wants To Rule The World” by Tears for Fears), but that airy/gauzy and sometimes harsh, distorted sound would throw somethi...